Note: This review was originally published as part of our 2025 Cannes coverage. Pillion opens in theaters on February 6.
It wouldn’t be Cannes without a...
Note: This review was originally published as part of our 2025 Cannes coverage. Sirat opens on February 6, 2026.
For the French-Spanish filmmaker Oliver...
Note: This review was originally published as part of our 2025 Cannes coverage. The President's Cake opens in theaters on February 6.
Among the best thi...
Note: This review was originally published as part of our 2025 NYFF coverage. Scarlet opens in theaters on February 6.
Across two decades of crafting animat...
Gold is such an apt metaphor for greed. It’s shiny, it’s heavy, it’s superficial, and it’s obtained through someone’s hard labor. That labor is carried on ...
Rock Springs works within a familiar genre framework––a family moves to a home in a town filled with strange people and is promptly haunted by spirits––to prob...
An exacting, well-articulated portrait of a Kosovan family in crisis as they attempt to make ends meet, Shame and Money confronts anxieties in a life drown...
There’s always been something sexy about the image of the cowboy, which has been praised as a portrait of good, old-fashioned masculinity as much as it’s been ...
A Hong Sangsoo Berlinale premiere is no surprising development, but the first details on his 34th feature, The Day She Returns, are particularly exciting. Not ...
What exactly is artificial intelligence? Where does it come from? And precisely how powerful is (or will) it become? Valerie Veatch's documentary Ghost in the ...
