For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Com...
The chic balconies of Marseille certainly offer an image that is photogenic enough to open Noémie Merlant’s sophomore feature, The Balconettes, especially as s...
If Chris Marker and Preston Sturges ever made a film together, it might have looked something like Grand Tour, a sweeping tale that moves from Rangoon to Manil...
Coralie Fargeat made a splash with her debut Revenge. But she was only standing in a puddle, endearing niche corners of the global cinephile community to her c...
When it was announced Arnaud Desplechin's next feature Spectateurs! (titled the less-appealing Filmlovers! in English) would be a) a docu-fiction hybrid; b) ab...
In Universal Language, a man makes a journey to his childhood home and meets the family now living there––these are at least the broad strokes. The director is...
In The Surfer, an exploitation film set to pressure-cook, a mild-mannered man is pitted against a group who even Andrew Tate might find a touch extreme. It's s...
Up to this point, Mikey Madison––the fearless, explosive 27-year-old lead of Sean Baker’s Anora––is best-known for her chilling turn as the deranged killer in ...
Aside from Jean-Luc Godard's last film, one of the shortest premieres at the Cannes Film Festival that was among our most-anticipated is Leos Carax's 40-minute...
“We humans are capable of greatness,” reads the first line in Cristóbal León and Joaquín Cociña’s The Hyperboreans as the narrator’s voice beams from an old TV...
