There’s been a bit of mystery surrounding Shelby Oaks, the directorial debut of Chris Stuckmann. A YouTuber who got his start reviewing films and has now amass...
“I can’t believe we’re here,” a friend said to me about halfway through this year’s Il Cinema Ritrovato, which takes over the center of Bologna for nine glorio...
Taking place August 7-17, the official selection for the 77th Locarno Film Festival has been unveiled, featuring a stellar-looking slate of highly anticipated ...
Comprising international premieres, short programs, and some of the country’s finest-ever films in new restorations, 2024’s Japan Cuts––running July 10-21 at N...
While its often the world premieres that get the most buzz out of any major film festival, look to their restorations lineup (if they are smart enough to have ...
Cinema has always had a way of opening unfamiliar places up to the world––if not always for a visit, then at least in the imaginations of those watching. The s...
Following up last year's epic documentary Occupied City, Steve McQueen has returned to the WWII era with a narrative feature. Blitz, starring Saoirse Ronan and...
Now in its 23rd edition, the New York Asian Film Festival has been delivering high-octane thrills, riveting drama, hilarious comedies, and beyond from across A...
As we near the halfway point of the decade thus far, there's still no better documentary to arrive than one that premiered in the first month of the 2020s. Gar...
Jeremy O. Harris' Slave Play. Not A Movie. A Play. is in fact a documentary self-portrait, at times providing a behind-the-scenes look at the workshopping of H...
