The few people bobbing up in Ana Vaz’s It Is Night in America are anonymous ciphers, their faces scarcely (if at all) visible, protruding limbs or silhouettes ...
Following the Main Slate and Spotlight announcements, the 60th New York Film Festival has unveiled its Currents section. The slate of boundary-pushing work fea...
Following their stellar Main Slate lineup, the 60th New York Film Festival has unveiled its Spotlight section, featuring a number of notable world premieres. M...
One of the more unlikely films to emerge from this year’s Locarno is the Thai debut Arnold Is a Model Student. In aesthetic, it resembles one of those well-hee...
Astrakhan fur is unique: dark, beautiful, and stripped exclusively from newborn lambs, even ones killed in their mother's womb. (Stella McCarthy once said it's...
In the heat of late summer, San Michele al Tagliamento is a humid emulsion of corn fields, cypress trees, and silent streets. Sitting along the border between ...
Kicking off on September 30th for its 60th edition, the New York Film Festival have now unveiled the 32 films in its Main Slate section. Featuring an exciting ...
Early into Helena Wittmann’s 2017 feature debut, Drift, a character recounts a Papua New Guinean tale of the world’s creation. Back when the planet was all wat...
All through Fairytale (aka Skazka), characters recite the opening of the Divine Comedy and Dante’s preamble to his plunge into hell. But the black-and-white wo...
The easiest way to describe the tone of Satoshi Miki's realization of an objectively ingenious concept (What happens to the rotting carcass of a defeated kaiju...
