The first time we hear music in Saeed Taji Farouky’s mesmeric A Thousand Fires is also the first time we’re offered a glimpse of the viscous substance around w...
Richard Bates Jr.’s King Knight has an approximation of many things: humor, story, idiosyncrasy, character depth and likeability, production design, dialogue, ...
A mood of heightened melodrama gives way to something strangely enchanting in Petite Solange, the story of a 13-year-old girl coming to terms with the shatteri...
The Main Slate selections for the 59th New York Film Festival, presented by Film at Lincoln Center from September 24-October 10, have been announced. Featuring...
In the post-apocalyptic nightmare of After Blue, humanity—or what’s left of it—roams a former paradise turned wasteland. The Armageddon that wrecked the Earth ...
We meet Diana Dent (Annie Parisse) readying matching wedding gowns soon revealed as not her own. She's mending them to sell online—a necessity considering her ...
Despite being neither a household name nor one I could immediately place, seeing writer-director Seth A. Smith attached to a film while sifting through the sch...
In Mad God, a character called “The Last Man” (played by the great Repo Man director Alex Cox) runs a laboratory sending miniature explorers into the bowels of...
A mother's love can move mountains. It must in the case of Paul Dood (Tom Meeten) since he doesn't really have anything else propelling him forward. Did he asp...
The logistics behind Beyond the Infinite Two Minutes are mind-boggling to fathom; time-travel stories are often confusing enough when they aren't filmed as a o...
