The Motorcycle Diaries director Walter Salles developed I’m Still Here for seven years before it premiered as part of Venice's Main Competition this year. That...
With the Toronto International Film Festival starting, there’s plenty to look forward to on the feature front. There’s also much room for discovery among Short...
A hurricane is coming and Atlantic Beach, Florida is directly in its path. The tourists have already left. Most residents remain. Why? Because this is hurrican...
When The Childhood of a Leader premiered at the 2015 Venice Film Festival, you had to wonder where Brady Corbet could possibly go next. There was just somethin...
Kiyoshi Kurosawa is having quite the year. Chime, a mid-length chiller, was a standout at the Berlinale. A French-language remake of his own Serpent’s Path wil...
Boosted by Locarno-awarded debut Instinct, Dutch actor-director Halina Reijn fit nicely in the A24 canon with her satirical thriller Bodies Bodies Bodies. Yet ...
After the detour of El Conde, Pablo Larraín returns with a study of opera singer Maria Callas, thus closing out a triptych of films on glamorous women, gilded ...
Unless you're a major studio or willing to pay for a rent-spiked ski lodge––and even then––few festivals ring more exclusive than Telluride, which has the dist...
Returning almost a decade after her last feature Chevalier, Greek director Athina Rachel Tsangari is back this year with Harvest, which is coming to Venice, TI...
Here’s a film that asks, in the vein of another's title: did you wonder who fired the gun? Yet in Mohammad Rasoulof’s The Seed of the Sacred Fig, which is set ...
