After the detour of El Conde, Pablo Larraín returns with a study of opera singer Maria Callas, thus closing out a triptych of films on glamorous women, gilded ...
Unless you're a major studio or willing to pay for a rent-spiked ski lodge––and even then––few festivals ring more exclusive than Telluride, which has the dist...
Returning almost a decade after her last feature Chevalier, Greek director Athina Rachel Tsangari is back this year with Harvest, which is coming to Venice, TI...
Here’s a film that asks, in the vein of another's title: did you wonder who fired the gun? Yet in Mohammad Rasoulof’s The Seed of the Sacred Fig, which is set ...
Before highlighting 40 films confirmed to be arriving in theaters this fall that you should have on your radar, we turn our attention to the festival-bound fil...
Celebrating twenty years, Venice Days (aka Giornate degli autori) is kicking off this week alongside the Venice International Film Festival with a jury headed ...
Following their intial announcements, the 62nd New York Film Festival has now unveiled its final film section: Revivals, featuring significant works from renow...
The death of the author is the birth of the reader, as we know from post-structuralist thought; then again, there are Hong Sangsoo’s public remarks. A charming...
There’s something electrifying about watching a filmmaker break free from well-worn formulas and push themselves into new, uncharted territory. The Sparrow in ...
