There was Dewey Finn, Ned Schneebly, Willoughby, Mason Evans Sr.––now there’s Lorenz (or Larry) Hart. Richard Linklater likes a certain type of guy, and ma...
Not a single image of warfare can be found in Ukranian director Kateryna Gornostai’s Timestamp, but the irrevocable effect of Russia’s unjustified invasion of ...
When reading Claude Lanzmann’s 2009 memoir The Patagonian Hare, director Guillaume Ribot was struck by insights into making the monumental Shoah. The book ...
“The id grows tedious,” art critic Jackson Arn wrote recently, “when left to speak too freely.” The Romanian filmmaker Radu Jude keeps his in check by grou...
Positive or not, all critical appraisals of Hélène Cattet and Bruno Forzani’s films inevitably land on the same talking point: their inordinate cinephilia....
As horrifying images and videos of Israel’s forced displacement and ethnic-cleansing in Gaza, now supported with even more tenacity on the part of the United S...
If there is a filmmaker whose work can be described as "elemental cinema," that’s Lucile Hadžihalilović. It’s easy to chronicle her 2015 film Evolution as ...
Sam Riley stars as Tom, a washed-up tennis-pro-turned-coach at a luxury island hotel on the Canary Islands, in Islands, the English-language debut of A Coffee ...
With just two films to her name (in addition to co-producing the Golden Bear-winning Black Coal, Thin Ice), Vivian Qu has become one of China's most prominent ...
Few things loosen the grip of winter like a sun-kissed film. Add listless days and young love to the narrative and you might even forget the icy chill outside....
