Ansel Elgort

[Review] Insurgent

What’s left in the dystopia for audiences to discover? After The Hunger Games rejuvenated interest in a world broken at its very social foundations, turning on ...

[TIFF Review] Men, Women & Children

We are the pale blue dot of Earth? No. We're the intermittently blinking light on the end of an out-of-touch parent's device for transparently spying on the ele...

[Review] The Fault in Our Stars

My teenage years may be decades removed from me at this point, but that didn’t stop me from reconnecting with my brooding, uncertain inner teen when reading Joh...

Shailene Woodley, Nat Wolff and John Green Talk ‘The Fault in Our Stars,’ Running Out of Emotion, Disabilities, and More

The Fault in Our Stars has a loyal following already, and if all the excellent marketing and momentum it is currently carrying pans out, the film should be a commercial success when it releases this weekend. But more than anything, it's also a quality film that doesn't hide the truth about death and dying and how much you can't shy away from living life when those are always inevitable....

[Review] Divergent

Like it or not, the twenty-first century has brought cultural alterations. For instance, the conversation about futuristic dystopias and/or social upheaval no l...