The Film Stage - Page 78

The Wedding Banquet Review: Andrew Ahn Crafts an Endearing, Funny Remake

Remaking a film on the Library of Congress's National Film Registry is hardly a task that one should take lightly. Ang Lee's The Wedding Banquet dials up the p...

New to Streaming: Eephus, Grand Tour, The Woman in the Yard, Youth Trilogy & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Dead Mail Review: A New Twist on the Slasher Flick

Note: This review was originally published as part of our 2024 SXSW coverage. Dead Mail is now on Shudder. Blending found footage and what appears to be gra...

NYC Weekend Watch: Salò, Greed, Jerry Lewis, & More

NYC Weekend Watch is our weekly round-up of repertory offerings. BAMTriple Canopy Presents: In The Hole brings 35mm prints of Salò, Tsai Ming-liang's The Ho...

Dag Johan Haugerud’s Oslo Trilogy, Including Golden Bear Winner Dreams, Set Summer Releases

While this summer has its fair share of sequels, leave it to Dag Johan Haugerud and Strand Releasing to roll out an entire trilogy of films across the season. ...

Exclusive: The Quay Brothers’ Sanatorium Under the Sign of the Hourglass Acquired by KimStim

We're delighted to exclusively announce that KimStim has acquired all North American rights to the Quay Brothers' Sanatorium Under the Sign of the Hourglass.&n...

David Cronenberg Hints at Retirement: “The World Does Not Need My Next Movie”

Few recent films, and even fewer by major directors, are so death-haunted as David Cronenberg's The Shrouds. Since well before its premiere has there been much...

The Shrouds Review: A Low-Key Chiller from David Cronenberg

Note: This review was originally published as part of our 2025 Cannes coverage. The Shrouds opens in theaters on April 18. David Cronenberg's films have oft...

28 Years Later Trailer: Danny Boyle and Alex Garland Bring a New Era of Zombies

After the 2000s brought us 28 Days Later and 28 Weeks Later, get ready for a whole new trilogy of zombie features. Danny Boyle, returning six years since his B...

Queens of Drama Review: Queer Pop Musical is Perceptive Portrait of Parasocial Fandom

The relationship the queer community has with an ever-expanding and rotating lineup of pop divas goes back decades, even if the current iteration of that r...

News

The Criterion Channel’s January Lineup Features Paul Thomas Anderson, Kleber Mendoça Filho, Terence Stamp & More

The Criterion Collection’s March 2026 Lineup Features Killers of the Flower Moon on 4K

Sundance Film Festival Unveils 2026 Lineup

Trailers

The Odyssey Trailer Teases Christopher Nolan’s Mythic Epic

Tom Cruise Wants to Save Humanity in First Teaser for Alejandro G. Iñárritu’s Digger

Pedro Almodóvar Returns to Spain in First Trailer for Bitter Christmas

Reviews

Is This Thing On? Review: Bradley Cooper’s Gentle Film About Marital Strife

Marty Supreme Review: Timothée Chalamet Reaches a New Pinnacle in Josh Safdie’s Propulsive Drama

Cover-Up Review: The Most Important American Documentary of the Year

Features

Christopher Schobert’s Top 10 Films of 2025

New to Streaming: One Battle After Another, It Was Just an Accident, Song to Song, The Running Man & More

NYC Weekend Watch: Twin Peaks, Breezy, Gus Van Sant, Ken Jacobs & More

Interviews

The Testament of Ann Lee Cinematographer William Rexer on Capturing the Dance and Believing in Mona Fastvold

“The Story is Told by Faces”: Darius Khondji on the Cinematography of Marty Supreme and His Prolific Year

“It’s a Mission: Impossible”: Bi Gan on the Long Journey and Long Takes of Resurrection

Podcasts

The B-Side Ep. 173 – James L. Brooks (with Adam Drosin)

The B-Side Ep. 172 – Daniel Craig (with Gavin Mevius)

The B-Side Ep. 171 – Richard Linklater (with Ryland Aldrich)

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