With Cannes Film Festival now officially underway and reviews coming in, we're also getting new looks at some of our most-anticipated premieres. The Invisible ...
The wars in Gaza and Ukraine have dominated headlines for the past several years, yet receiving relatively little coverage today is the Syrian civil war, spark...
Quentin Dupieux returns with The Second Act, a playfully dour satire on the film industry that sees the French absurdist delve further into the apocalyptic moo...
I'm possibly embargoed from speaking too much about Arnaud Desplechin's Spectateurs! / Filmlovers!, which debuts at the Cannes Film Festival on May 22, but suf...
Update: By popular demand, an encore screening's been added for Wednesday, May 29. See the original story below.
My screening series Amnesiascope will have ...
First look notwithstanding, details have been few and far between on Richard Linklater's Nouvelle Vague, largely understood to concern the production of Jean-L...
After exploring the American frontier in Andrew Haigh's Lean on Pete, Charlie Plummer returns to the terrain with Luke Gilford's directorial debut National Ant...
What kind of things does an obsessive documentarian like to watch in their free time? It's a question I was curious to ask John Wilson, a filmmaker who––over t...
Our latest look at new and recent books about (or connected to) cinema includes looks at a couple beloved classics (Scarface and The Blues Brothers), a unique ...
It wouldn’t have been Sundance without at least a handful of coming-of-age stories. Sean Wang’s audience award winner Dìdi (弟弟) proves that, with a n...