The Film Stage - Page 62

Cannes Review: Yorgos Lanthimos’ Kinds of Kindness is an Anthology Film of Dark if Slight Delights

This one is for the true Lanthimites, the Dogtooth sisters, the biscuit women, The Killing of a Sacred Deer heads, a film to which the callbacks are so abundan...

Cannes Review: Carson Lund’s Eephus is the Definitive Baseball Hangout Movie

If the perfect sports movie illuminates the fundamentals that make one fall in love with the game, there may be no better movie about baseball than Carson Lund...

Cannes Review: Oh, Canada Finds Paul Schrader Meditating on the Indignities of Dying

The cinema of Paul Schrader has always felt like a confessional, all those dark rooms and troubled men, the registered Swiftie's own tortured poets department....

Cannes Review: In Christmas Eve in Miller’s Point, Cinema and Family Beautifully Come Together

Writing on Martin Scorsese's Shutter Island in 2010, Anthony Lane whipped a quote from Umberto Eco: "Two cliches make us laugh but a hundred clichés move us, b...

Cannes Review: Francis Ford Coppola’s Megalopolis is a Garish Wonder to Behold

If you dove head first into Francis Ford Coppola’s Megalopolis, you would get a concussion. The filmmaker’s supposed opus––a glitzy, gargantuan, long-gestating...

Francis Ford Coppola on Having No Regrets with Megalopolis and the Films He’d Never Re-Edit

After batting around the mind of Francis Ford Coppola for nearly half-a-century, Megalopolis was bestowed upon the world yesterday at the Cannes Film Festival....

Pablo Larraín: Apichatpong Weerasethakul’s Films Make “Me Feel Less Lonely”

Launched last year by Wes Anderson's producing partners at Indian Paintbrush, GALERIE has emerged as a well-curated film club publishing unique selections of f...

Cannes Review: In Bird, Andrea Arnold’s Experiment in Magical Realism Rarely Takes Off

This year's Cannes competition began with a film set in a working-class environment where a young woman with a single mother dreamed of escaping it all through...

Watch Martin Scorsese’s Bleu de Chanel Ad Starring Timothée Chalamet

Martin Scorsese's latest directorial effort and first collaboration with Timothée Chalamet is upon us––it just happens to clock at 1/206th Killers of the Flowe...

Cannes Review: Josh Mond Returns With Vibey Down-and-Out Road Movie It Doesn’t Matter

The best festivals point to the future, capture the zeitgeist, or honor the past. At Locarno in 2015, you could have had all three: Ryusuke Hamaguchi's Happy H...

News

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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