After highlighting the best films from the first half of this year, it's time to venture into the second leg of 2025 with July's lineup. While perhaps only our...
What a pleasure it is to see Kiyoshi Kurosawa in his Hong Sangsoo period. The typically prolific filmmaker had an especially verdant 2024: his all-killer, no-f...
Note: This review was originally published as part of our 2025 Rotterdam coverage. Videoheaven opens in theaters on July 2.
In Videoheaven, Blockbuster–...
After a busy last summer with Hit Man and Twisters, Glen Powell is back this fall with Edgar Wright's adaptation of Stephen King's The Running Man. With a cast...
Following the sensation that was The Worst Person in the World, Danish-Norwegian director Joachim Trier returned to Cannes Film Festival with Sentimental Value...
Even more frighteningly relevant than when I first saw it at the New York Film Festival last fall, prior to the new wave of Trump-fronted fascism, Petra Costa’...
With the likes of First Man and Blade Runner 2049, Ryan Gosling is no stranger to the perils of space. Before he goes to a galaxy far, far away, he's set to re...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterIn the Mood for Love and its never-before-seen epilogue In the Mood f...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
When people call music cinematic, I think they just mean it sounds like it could be in a movie. About which, fair: being in a movie would do so. But the term i...