As you watch Dark Glasses, Dario Argento’s first film in a decade, it’s nice to think back on his recent performance as the aging film critic in Gaspar Noé’s V...
Dominik Graf has been busy turning out termite art for decades. Finding a home on German TV shows like Tatort and Police Call 310, which air feature-length epi...
A contemporary cliché that weakly attempts to diagnose what ails us in modern life is the idea of being addled by technology––of our minds and attention spans ...
In Before, Now & Then the social and political upheavals of 1960s Indonesia provide a hardened backbone to what is otherwise a tale of longing and simmerin...
For the ideal Valentine's Day treat, our first look at Adrian Lyne's long-awaited erotic thriller Deep Water has arrived. Starring former significant others Be...
When an actor appears in many films of a particular director it becomes a sort of short-hand subject to define either's work. Sometimes it feels as if one infl...
The title of Lina Rodriguez's documentary Mis dos voces says it all. Her three subjects (as well as her) are Latin American immigrants living in Canada with s...
One of the very few original tentpoles coming out of Hollywood this year to look forward to is the latest creation from Jordan Peele. Following the one-two pun...
In Both Sides of the Blade a romance breaks down and threatens to break up in a stylish apartment overlooking the sweet Parisian skyline. The director is of co...
Anyone seeking a peek into Ulrich Seidl's worldview--perhaps his soul--could do worse than Rimini, his first film since Safari in 2016 and first narrative feat...