As media conglomerates tout their "massive" streaming libraries, with little sense of curation much less interest in presenting classic and overlooked cinema, ...
Italian director Matteo Garrone recently got ahead of the curve with his take on Pinocchio (preceding four (!) new adaptations of the Carlo Collodi tale this y...
About a year ago we got the news that Tony Leung and Andy Lau would finally be reuniting after their trio of Infernal Affairs films. Coming from Infernal Affai...
Never one to be boxed into a corner, Jacques Audiard is following up his Palme d'Or-winning Dheepan and his English-language debut, the western The Sisters Bro...
Eli Horowitz’s The Cow offers a rather convoluted approach to an unfortunately straightforward story. For much of its runtime, however, the film successfully o...
Inspired by actual events, I Love My Dad contains a cringe-worthy premise that should easily fall apart, as Franklin (James Morosini), a young-ish man, should ...
At long last, the Lou Ye's Venice 2019 premiere Saturday Fiction is arriving stateside. After some delays presumably caused by the pandemic, Strand Releasing w...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Jazz Tangcay to discuss Domee ...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...
From the old school ‘50s-era opening titles, you can feel what tone Charlie McDowell’s Windfall is going for. The director’s third feature plays up the Hitchco...