The Film Stage - Page 334

New Trailer for Phil Tippett’s Mad God Brings a Decades-Long Vision to the Screen

With his work on Star Wars, RoboCop, Jurassic Park, Starship Troopers, and many more, the Oscar-winning Phil Tippett has come to define the landscape of v...

Richard Linklater to Direct Houston Hitman Action Comedy Starring Glen Powell

It's quite a shame that Richard Linklater's stellar memory piece Apollo 10½: A Space Age Childhood seemed to come and go last month with little fanfare, but a ...

Montana Story Review: A Western Melodrama Done Extremely Right

It takes a certain amount of expertise to build a narrative without telling the audience everything as soon as possible. In Montana Story, filmmakers Scott McG...

David Cronenberg to Direct Vincent Cassel in The Shrouds

Thankfully, the wait for the next film from David Cronenberg won't be as long. After the eight-year gap between Maps to the Stars and the forthcoming Crimes of...

Hong Sangsoo and Jafar Panahi Have Finished Shooting Their Next Films

A pair of renowned auteurs who often work in secrecy have finished shooting their next projects. First up, South Korean director Hong Sangsoo has actually shot...

Watch: The Wolf House Directors Team with The Smile for Thin Thing Music Video

With Arcade Fire, Kendrick Lamar, Sharon Van Etten, Wilco, and more, it's quite a month for new music and amongst our most-anticipated albums is the debut from...

Eskil Vogt on The Innocents, Childhood Morality, and Joachim Trier’s Advice

Norwegian filmmaker Eskil Vogt had quite a 2021, bringing both his most recent collaboration with Joachim Trier, The Worst Person in the World (for which he wo...

The Mystery Begins in First Trailer & Clips for Park Chan-wook’s Decision to Leave

After a brief tease last week, a new look at one of our most-anticipated Cannes Film Festival premieres has arrived. Marking Park Chan-wook's first feature sin...

Watch: Hundreds of 35mm Film Trailers Will Induce Untold Nostalgia

Beyond packaging a film into a concise mini-movie (that can almost never run in excess of 150 seconds), trailers represent their moment of release more fully t...

Men Review: Alex Garland Examines Misogyny with Gonzo Shocks and Minimal Complexity

After personal trauma, a protagonist retreats to a secluded location for solace and inner reconciliation only to be further haunted. The set-up is familiar to ...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

17 Films to See in November

The Best Movies Now Playing in Theaters

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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