For years—I'm talking years—the films of Jean Eustache, post-New Wave genius and forefather of more than you'd ever realize, were basically impossible to find ...
Following one of their better months of late, Criterion ring in the second half of 2022 (I know) with a pendulum swing between recent cult favorites and pre-wa...
The opening act of Twin Peaks: Fire Walk with Me is easily misread as cynical. Its first shot, a metal bat shattering a television screen, violently severs the...
One of the most pleasant surprises at this year's Sundance Film Festival was the latest film from Australian director Sophie Hyde. Good Luck to You, Leo Grande...
Following the tragic passing of Gaspard Ulliel, one of the projects he was attached to has found a new actor. 1917 star George MacKay will now lead Bertrand Bo...
A few months before Shiva Baby premiered at SXSW 2020 and led to a breakout for star Rachel Sennott upon its TIFF screenings and subsequent 2021 release, anoth...
It's no mere coincidence that Adèle Haenel hasn't made a movie since 2019's trio of Portrait of a Lady on Fire, Deerskin, and Heroes Don't Die. While the Frenc...
Let's appreciate Hideaki Anno so long as he's with us. Less than a year since gifting us a fitting, fittingly head-spinning finale to his Evangelion saga, his ...
John Carpenter's current musical output is so voluminous it's almost easy to take him for granted. After a recent run on the Halloween sequels—and before this ...
NYC Weekend Watch is our weekly round-up of repertory offerings. On the subject of Metrograph’s “It Happens to Us,” we also encourage donations to local aborti...