[Review] Paranoia
When your film is called Paranoia and the marketing boasts heavyweights like Harrison Ford and Gary Oldman facing off with one another, it’s a foolish move to t...
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‘The Spectacular Now’ Writers Talk Self-Destruction, Working on Different Coasts, Finding Collaborators & More
Screenwriters Michael Weber and Scott Neustadter made a name for themselves with the hit (500) Days of Summer and then returned to Sundance this year with t...
New to Streaming: ‘Prince Avalanche,’ ‘Lovelace,’ ‘Arbitrage,’ ‘Desperado’ & More
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highlight ...
From ‘Hardcore’ to ‘The Canyons’: A Look at Paul Schrader’s Evolving Erotic Los Angeles
“Paul Schrader’s Los Angeles has changed,” writes Nick Newman in our review of The Canyons, the aforementioned helmer's first film since 2008’s Adam Resurre...
‘The Spectacular Now’ Director James Ponsoldt Talks the Democracy of Sundance, Getting Personal, Theatrical Edits & More
Off the Black, James Ponsoldt's feature debut as a writer-director, premiered at the Sundance Film Festival in 2006, when Ponsoldt was nearing his thirties....
New To Streaming: ‘The Truman Show,’ ‘Trance,’ Francis Ford Coppola, ‘Evil Dead,’ Douglas Sirk & More
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highlight ...
‘Arthur Newman’ Director On Working With Colin Firth & Emily Blunt, Awkward Comedy, Holding Back & More
Read our chat and watch the first 10 minutes of the film....
[Review] Our Children
Opening a film with ending of a story is a daring move that requires much confidence on the filmmaker’s part. Billy Wilder’s Sunset Boulevard is the rare animal...
Shane Carruth on the Genesis of ‘Upstream Color’ and How It Changed the Way He’ll Make Films
Premiering at the Sundance Film Festival a few months ago, Primer writer-director Shane Carruth delivered another divisive work of science-fiction with the ...
[Review] Welcome to the Punch
Bolstered by a script ranking number three on the 2010 Brit List—a film industry tabulation of the best unproduced British screenplays—Eran Creevy's Welcome to ...