Zia Anger's name has not broken into the mainstream; it's instead been a kind of totem for underground film artistry, to whatever extent that even exists anymo...
Unless you're a major studio or willing to pay for a rent-spiked ski lodge––and even then––few festivals ring more exclusive than Telluride, which has the dist...
What if Jacques Tati made a film noir? The Falling Star offers a commendable answer to this question, though the final result does not quite live up to such ex...
With the summer movie season now quietly winding down, fall is upon us. As we do each year, after highlighting the best films offered thus far, we've set ...
Premiering earlier this year at Sundance Film Festival, Union is the latest film from Brett Story (The Prison in Twelve Landscapes, The Hottest August) and Ste...
In early 1950, Ernest Hemingway's Across the River and Into the Trees was serialized in Cosmopolitan magazine before being published as a novel in September of...
Returning almost a decade after her last feature Chevalier, Greek director Athina Rachel Tsangari is back this year with Harvest, which is coming to Venice, TI...
Here’s a film that asks, in the vein of another's title: did you wonder who fired the gun? Yet in Mohammad Rasoulof’s The Seed of the Sacred Fig, which is set ...
A premiere at last year's Venice Film Festival is now coming to theaters next month. Robert Kolodny's feature debut The Featherweight, which stars James Madio,...
Before highlighting 40 films confirmed to be arriving in theaters this fall that you should have on your radar, we turn our attention to the festival-bound fil...