The Film Stage - Page 28

First Look at Riley Keough in Albert Serra’s Out of This World

Coming off one of the best films of the decade with Pacifiction and one of the best documentaries of this year with Afternoons of Solitude, Albert Serra is alr...

Rebuilding Review: A Somber Reflection on the Importance of Hope

Note: This review was originally published as part of our 2025 Sundance coverage. Rebuilding opens in theaters on November 14. We can all feel lonely. Even ...

Jay Kelly Review: Noah Baumbach Makes His Fellini Film

Note: This review was originally published as part of our 2025 Telluride coverage. Jay Kelly opens in theaters on November 14 and arrives on Netflix on Decembe...

Left-Handed Girl Review: A Striking Drama Told Through a Child’s Eyes

Note: This review was originally published as part of our 2025 BFI London coverage. Left-Handed Girl opens in theaters on November 14 and arrives on Netflix on...

Mamoru Oshii’s Radical, Ethereal Angel’s Egg is an Anime Like No Other

In order to best explain Mamoru Oshii’s Angel’s Egg––a stoic, ethereal vision quest of a film notorious among anime and cult enthusiasts for resisting explanat...

My Undesirable Friends: Part I – Last Air in Moscow Announced as Winner of the 2025 Indie Film Site Network Advocate Award

Each year at the Indie Film Site Network (IFSN), we’re honored to highlight independent films that illuminate a humanitarian issue with a singular artistic vis...

News

NYC Weekend Watch: Nadja, Seoul After Dark, Tenement Stories & More

Todd Haynes to Shoot De Noche with Pedro Pascal and Danny Ramirez Starting Next Month

David Lynch’s Scripts for Unrecorded Night, Which Was to Star Toby Jones, to Be Published

Trailers

Tooth Shop Fiasco Exclusive Trailer: Sasquatch Sunset Producer David Harari Makes Directorial Debut

Love Conquers Death in First Trailer for Grace Glowicki’s Dead Lover

Exit 8 Trailer: Genki Kawamura’s Acclaimed Videogame Adaptation Arrives in April

Reviews

Rotterdam Review: With Tokyo Taxi, Yoji Yamada Cruises Down Well-Traveled Roads

Sundance Review: Wicker Audaciously Contemplates the Self-Destructive Perils of Jealousy

Sundance Review: The Gallerist Is Too Referential to Properly Satirize the Art World

Features

New to Streaming: The Secret Agent, Hamnet, Boys Go to Jupiter, The Plague & More

Posterized February 2026: Wuthering Heights, Pillion, My Father’s Shadow & More

The Best Movies Now Playing in Theaters

Interviews

“I Still Feel Like an Outcast”: Michael Almereyda on Nadja, Peter Fonda, David Lynch’s Fantômas, and Zero K

Pillion Director Harry Lighton on Portraying Realistic Sex and Rethinking Queer Narratives

“Images Are Dead”: Oliver Laxe on Sirāt and Spirituality

Podcasts

The B-Side Ep. 175 – Rachel McAdams

The Best Films of 2025 and Most-Anticipated Films of 2026

The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

Read More

First Look at Riley Keough in Albert Serra’s Out of This World

Rebuilding Review: A Somber Reflection on the Importance of Hope

Jay Kelly Review: Noah Baumbach Makes His Fellini Film

Left-Handed Girl Review: A Striking Drama Told Through a Child’s Eyes

Mamoru Oshii’s Radical, Ethereal Angel’s Egg is an Anime Like No Other

My Undesirable Friends: Part I – Last Air in Moscow Announced as Winner of the 2025 Indie Film Site Network Advocate Award

Gore Verbinski Returns with First Trailer for Good Luck, Have Fun, Don’t Die

The Running Man Review: Edgar Wright’s First Pure Action Vehicle is a Partial Victory

Timothée Chalamet Aims for Greatness in New Trailer for Josh Safdie’s Marty Supreme

“Not Everybody Has to Be Likable”: Stellan Skarsgård on Sentimental Value and Suffering