Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Jake Kring-Schreifels to discu...
It's been fun to observe the musical turn Caleb Landry Jones has taken in recent years. Not simply content with being our generation's Crispin Glover—a weedy, ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Godard's Notre Musique and First Name: Carmen have rare 35mm screenings; The...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
The poster selection this month is a bit uninspiring, but I guess that comes with the territory of awards season—name recognition is at an all-time hig...
A meditation on growing old, growing wiser, and all of life’s transitions, Ralph Arlyck’s personal documentary I Like It Here is a warm, witty, loose, discursi...
Last summer Leos Carax's long-awaited Annette was finally birthed into the world. As delightfully strange and singular as one would expect a musical written by...
I was lucky enough to attend—just as those at New York's Pace Gallery were kind enough to invite me to—a preview of David Lynch's new exhibit, Big Bongo Night,...
Welcome to the return of Intermission, a spin-off podcast from The Film Stage Show. Led by yours truly, Michael Snydel, I invite a guest to discuss an arthouse...
Film connoisseur, cultural critic, and master conversationalist Elvis Mitchell crafts a kaleidoscopic yet personal history of Black cinema with his feature fil...