Ari Aster's nearly-three hour journey Beau Is Afraid, described by the filmmaker himself as a "Jewish Lord of the Rings," will arrive a bit earlier than expect...
Beginning with the thesis statement “does anything really last," Ian Chaney’s obsessive inquiry The Arc of Oblivion wonders if the act of archiving is really a...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr catch up with the Oscar-winning All Quiet on...
Not unlike the rage sparked within Bong Joon Ho’s now-classic Parasite, Paris Zarcilla's Raging Grace explores a perverse relationship between a wealthy estate...
There's a palpable tactility to the 16mm films of Mark Jenkin, the Cornish director whose Bait and Enys Men are boldly edited, transportive journeys with a sen...
Wes Anderson has kept busy the last few years. While putting the finishing touches on The French Dispatch as the pandemic hit––causing the film's delay for ove...
Editor's note: Last year at Berlinale, Rory O'Connor caught up with Quentin Dupieux who was there to premiere Incredible But True, which would go on to be the ...
With a career resurgence thanks to First Reformed, Paul Schrader decided to form a trilogy (and perhaps beyond) of like-minded character studies. His third out...
Spike Lee, Chantal Akerman, Wong Kar-wai, Steven Spielberg, Claire Denis, Pedro Almodóvar, Guillermo del Toro, Christopher Nolan, Kelly Reichardt, Hirokazu Kor...
In the six months since cinema lost its greatest pioneer, there has been much speculation as to the films Jean-Luc Godard left behind. Earlier this month there...