The Film Stage - Page 192

U.S. Trailer for Charlotte Le Bon’s Feature Debut Falcon Lake Brings a Ghostly Love Story

Whether it's Michel Gondry's Mood Indigo, Robert Zemeckis' The Walk, The Hundred-Foot Journey, Anthropoid, The Promise, or last year's Fresh, chances are you'v...

First Trailer for Takeshi Kitano’s Epic Kubi Arrives Ahead of Cannes 2023 Premiere

One of our most-anticipated films in the Cannes Film Festival 2023 lineup is the latest work from Japanese filmmaker Takeshi Kitano. Kubi, set to debut in the ...

Celebrate Ryuichi Sakamoto’s Gifts to Cinema In Exclusive Trailer for Metrograph’s New Retrospective

Ryuichi Sakamoto's death sent waves of shock and grief alike, the rare passing that suggested losing some necessary force in the universe. It would be true for...

Apichatpong Weerasethakul on Evolving Cinematic Memories and a Shared Global Consciousness

It’s often said that the sign of a true craftsman is the ability to make complex tasks look effortless (there’s even an Italian phrase for this skill, “sprezza...

T.S. Eliot’s Four Quartets Review: A Masterpiece Recited & Reimagined For Our Perilous Times

Art made during COVID––more specifically during quarantine and before / at the very beginning of the vaccine rollout––will surely hold an added weight as histo...

Listen to a New Album of Film Scores by Bertrand Bonello

Before presenting his latest masterwork Coma at Toronto's Innis Town Hall this Thursday, May 4––TFS readers get a 10% discount with the code "TFSComa"––I'm del...

5 Must-See Films at Prismatic Ground 2023

Prismatic Ground is becoming a must-attend filmmaker-centered showcase on the rise for underground documentaries, avant-garde, and experimental cinema in the h...

Cyprus Film Days Review: Love Dog Conjures a Vivid, Engrossing Study of Mourning

Late into Bianca Lucas’ feature debut, a character ventures a few verses: “Listen to the moan of a dog for its master / That whining is the connection / There ...

First Look at Natalie Portman & Julianne Moore in Todd Haynes’ May December

After exploring the history of the Velvet Underground, Todd Haynes is returning with his first narrative feature since 2019's severely overlooked Dark Waters t...

32 Sounds Review: Sam Green Makes Sound Great Again

As engaging and impressive a documentary as you're going to see, 32 Sounds starts with a kind of obvious––yet eminently under-asked––question: why do most of u...

News

Jia Zhang-ke Reveals He’s Working on an AI Short Film

Daniel Day-Lewis Ends Retirement for Anemone Co-Written with and Directed By Son Ronan Day-Lewis

Exclusive Premiere of Sean Henry’s “In Heaven” Video Reworks a Classic David Lynch Tune

Trailers

Nicholas Hoult Faces Justice In Trailer for Clint Eastwood’s Juror #2

Babygirl Trailer: Nicole Kidman and Harris Dickinson Play Erotic Games

Robert Eggers Brings the Gothic Horror in New Trailer for Nosferatu

Reviews

NYFF Review: Nickel Boys Finds Miraculous Beauty in the Horrors of the World

NYFF Review: The Friend Amply Portrays Grief with an Admirable Naomi Watts Performance

NYFF Review: Afternoons of Solitude is a Hypnotic Take on Bullfighting from Albert Serra

Features

NYC Weekend Watch: Samuel L. Jackson, Akerman-Duras, Compensation & More

Posterized October 2024: Rumours, Woman of the Hour, La Cocina & More

New to Streaming: Evil Does Not Exist, Powell and Pressburger, Red Rooms, It’s What’s Inside & More

Interviews

It’s What’s Inside Director Greg Jardin on Manifesting Anxiety, Giallo Lighting, and the Road to Success

“I Made It So I Could Breathe”: Tarsem on Restoring The Fall, Distribution Woes, and the Next Chapter

The Substance Director Coralie Fargeat on Playing By Her Own Rules and the Strong Weapon of Humor

Podcasts

The B-Side – Barbra Streisand (with Chris Feil)

The Film Stage Show Ep. 549 – Beetlejuice Beetlejuice (with Trace Sauveur)

The Film Stage Show Ep. 548 – Janet Planet (with George W. Myers)

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