I've predicted Megalopolis, anticipated as it is, will have a clear dividing point: the cultural commentariat hoping to see "another film by the director of Th...
Few creative talents have the breadth of a career equal to Lee Grant. The 98-year-old director, actor, and writer has a storied body of work, debuting on scree...
Cannes begins, against all reason, two weeks from today, and with it comes the trailer for this year's opening-night selection. (Arriving in French theaters th...
It's been four years since Disney and Peter Jackson announced intent to restore Michael Lindsay-Hogg's Let It Be––long enough (and with enough baggage) to thin...
However hard it is to expand the canon, legwork must always be done. In my own time I've seen the understanding of mid-century Japanese cinema expand, however ...
105 years ago this year, the birth of Black independent cinema commenced when Oscar Micheaux released his silent feature The Homesteader. While that 1919 film,...
It's at least autumn before we see Jim Jarmusch's first film in five years, but his latest contribution is larger than most can manage: Sqürl, his musical outf...
Following a premiere at last year's SXSW, writer-director-star Kit Zauhar's acclaimed second feature This Closeness is now arriving this summer after an extens...
While Hayao Miyazaki deservedly took home the Oscar for The Boy and the Heron, another nominee is well worth your attention. Pablo Berger's Cannes favorite Rob...
It helps to have friends. Look no further than the first trailer for Zoë Kravitz's Blink Twice, which boasts a stronger ensemble than your average directing de...
