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    • Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

    • Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

    • Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

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    • The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

    • The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

    • Blue Film Trailer: Controversial Camboy Thriller Arrives This May

  • Reviews

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    • The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

    • Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

    • Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

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    • 13 Films to See at 2026 New Directors/New Films

    • Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

    • NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More

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    • Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

    • François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

    • The Blue Trail Director Gabriel Mascaro on Coming-of-Age Inversion, Playful Dystopias, and Conservative Awakenings

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    • Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

    • The B-Sides of Spike Lee

    • Gabe Klinger on Finishing Movies, Navigating Festivals, and Isabel

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    • Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

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    • Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

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    • A Mother and Son Form a Taboo Bond in Exclusive U.S. Trailer for Isabelle Stever’s Grand Jeté

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News

Martin Scorsese, Steven Spielberg, and Paul Thomas Anderson Release Vague Statement About the Future of TCM

Wes Anderson’s The Wonderful World of Henry Sugar is 37 Minutes Long

The Criterion Collection’s September Slate Brings Orson Welles, David Bowie, The Princess Bride, and Nicolas Roeg in 4K

Guillermo del Toro Says “We Have to Rescue” Studio Animation From “Emoji-Style Behavior”

Watch: Quentin Tarantino Talks Violence, Taxi Driver, Brian De Palma & More in 70-Minute Cannes Masterclass

Claire Denis Has Written a New Feature; Location-Scouting Begins This Month

Exclusive: Wes Anderson Will Begin Shooting His 13th Feature Later This Year

Leos Carax Begins Production on C’est pas moi as Arnaud Desplechin Plans Spectateurs

Jia Zhang-ke’s Next Narrative Feature is We Shall Be All, a Project Two Decades in the Making

Wes Anderson’s The Wonderful Story of Henry Sugar Will Feature Four Stories With Actors Playing Multiple Roles

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Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

13 Films to See at 2026 New Directors/New Films

Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

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