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    • The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

    • First Look at Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Set for August Release

    • Isabelle Huppert is The Blood Countess in Exclusive Poster for Ulrike Ottinger’s Berlinale Premiere

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    • Legendary Director Haile Gerima Returns in Exclusive Trailer for Black Lions – Roman Wolves, Premiering at Berlinale

    • Two Prosecutors Trailer: Sergei Loznitsa Captures a Quest for Justice

    • Omaha Trailer: John Magaro Takes a Heartbreaking Road Trip

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    • Rotterdam Review: First Light is a Calm, Confident Debut

    • Good Luck, Have Fun, Don’t Die Review: Gore Verbinski Finally Returns with Refreshingly Madcap Adventure

    • My Father’s Shadow Review: A Lovely Tale of Familial Bonding That Plays Things Safe

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    • NYC Weekend Watch: Diane Keaton, The Brown Bunny, 2001 In Cinema & More

    • New to Streaming: Marty Supreme, Is This Thing On?, The Librarians, Happyend & More

    • The Best Movies Now Playing in Theaters

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    • “We Cut 95% of It Out”: Matt Johnson on Nirvanna the Band the Show the Movie, Constant Re-Editing, and Season 3

    • Cashiers Du Cinéma Editors on Programming Their BAM Series and Celebrating Cinema Workers

    • Sam Rockwell on His Most Overlooked Films and Working with Gore Verbinski

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    • The B-Side Ep. 175 – Rachel McAdams

    • The Best Films of 2025 and Most-Anticipated Films of 2026

    • The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

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    • The Best Movies Now Playing in Theaters

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    • “I Still Feel Like an Outcast”: Michael Almereyda on Nadja, Peter Fonda, David Lynch’s Fantômas, and Zero K

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News

May December, Past Lives, and American Fiction Lead 2024 Film Independent Spirit Awards Nominations

Slamdance Film Festival 2024 Unveils Lineup

Listen: Joe Hisaishi’s Full Score for Hayao Miyazaki’s The Boy and the Heron

Cahiers du cinéma’s Top 10 Films of 2023 Includes Trenque Lauquen, Fallen Leaves, and Anatomy of a Fall

Elizabeth Olsen to Lead Todd Solondz’s Love Child, Shooting This Spring

MUBI’s December 2023 Lineup Features The Delinquents, Olivier Assayas, Jean-Luc Godard, Takeshi Kitano & More

World Premiere of 4K Restoration of Edward Yang’s Mahjong Set for December’s Film at Lincoln Center Retrospective

First Look at Robert Eggers’ Nosferatu Brings Murnau to the Modern Age

Watch an Exclusive Clip from The Gods of Times Square, Presented by Josh Safdie

Watch: Martin Scorsese & Steven Spielberg Discuss Killers of the Flower Moon, Complicity, and the End of the Western

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“We Cut 95% of It Out”: Matt Johnson on Nirvanna the Band the Show the Movie, Constant Re-Editing, and Season 3

The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

First Look at Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Set for August Release

NYC Weekend Watch: Diane Keaton, The Brown Bunny, 2001 In Cinema & More

Cashiers Du Cinéma Editors on Programming Their BAM Series and Celebrating Cinema Workers

Legendary Director Haile Gerima Returns in Exclusive Trailer for Black Lions – Roman Wolves, Premiering at Berlinale

Rotterdam Review: First Light is a Calm, Confident Debut

New to Streaming: Marty Supreme, Is This Thing On?, The Librarians, Happyend & More

The Best Movies Now Playing in Theaters

Good Luck, Have Fun, Don’t Die Review: Gore Verbinski Finally Returns with Refreshingly Madcap Adventure

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