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    • Dead Man’s Wire Review: Gus Van Sant Offers a Good Time at the Movies

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News

Cannes 2024 Directors Fortnight, Critics Week, and ACID Lineups Unveiled

The Criterion Collection’s July Lineup Includes 4Ks of Pat Garrett, Le Samouraï, and Risky Business

Quentin Tarantino Plans Fall Shoot For The Movie Critic, Lynne Ramsay and Walter Hill Set Next Films & More

Werner Herzog Joins Bong Joon Ho’s Animated Feature, Paul Walter Hauser Will Play Chris Farley & More

2024 Cannes Film Festival Lineup Unveiled

First Footage from Mike Leigh’s Hard Truths and Guy Maddin’s Rumours Arrive

Harmony Korine’s Aggro Dr1ft Sets Theatrical Run for May

Wes Anderson Teams with Cinematographer Bruno Delbonnel for The Phoenician Scheme

Update: Anya Taylor-Joy Hasn’t Joined Pedro Almodóvar’s The Room Next Door

Aubrey Plaza Will Star In John Waters’ Liarmouth, Which Seeks Funding

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The Best Movies Now Playing in Theaters

Sirāt Trailer: Oliver Laxe’s Desert Rave Thriller Arrives in February

Lav Diaz on Magellan: “Cinema Can Look Big Even with a Small Camera”

Jared Mobarak’s Top 10 Films of 2025

Dead Man’s Wire Review: Gus Van Sant Offers a Good Time at the Movies

The Chronology of Water Review: Kristen Stewart’s Elemental Calling Card for Directorial Greatness

All That’s Left of You Review: An Impactful Exploration of Decades of Palestinian Trauma

Young Mothers Review: Jean-Pierre and Luc Dardenne Find Pain and Pathos

U.S. Trailer for Christian Petzold’s Miroirs No. 3 Brings Paula Beer Into Uncertain Territory

“I Cried a Lot”: Sentimental Value Cinematographer Kasper Tuxen on Connecting With Joachim Trier’s Cast

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