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    • Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

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    • Blue Film Trailer: Controversial Camboy Thriller Arrives This May

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    • The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

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    • 15 Films to See in April

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    • François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

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News

Nuri Bilge Ceylan Sets Summer Shoot for New Film Pale Sun

The Criterion Collection’s June Lineup Features John Waters, Jafar Panahi, Lav Diaz, Med Hondo, and More

New Directors/New Films 2026 Lineup Unveiled

Dakota Johnson, Saoirse Ronan, Jessie Buckley & Josh O’Connor to Lead Alice Rohrwacher’s Three Incestuous Sisters

March on the Criterion Channel Includes the Romanian New Wave, Ghost in the Shell, Who Killed Teddy Bear & More

Exclusive Poster for Christian Petzold’s Miroirs No. 3, Arriving This March

Watch a 2.5-Hour Conversation with Paul Thomas Anderson, Ryan Coogler, Josh Safdie, Guillermo del Toro, and Chloé Zhao

Frederick Wiseman Dies at 96

Sean Baker, Miguel Gomes, Véréna Paravel, Laura Citarella, and Eduardo Williams Plot New Films

The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

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François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

Blue Film Trailer: Controversial Camboy Thriller Arrives This May

Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

15 Films to See in April

The Stranger Review: François Ozon Finally Gives Albert Camus’ Novel Its Cinematic Due

The Blue Trail Review: A Lively Journey Down the Amazon River

First Teaser for Ryûsuke Hamaguchi’s All of a Sudden Starring Virginie Efira and Tao Okamoto

Arnaud Desplechin Finds the Music in U.S. Trailer for Two Pianos

Backrooms Trailer: Renate Reinsve and Chiwetel Ejiofor Discover the Abyss in Kane Parsons’ Debut

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