After building a career as an actor, first-time director Fran Kranz found his passion in the form of Mass. Framed as a conversation between two sets of parents...
If you haven’t seen Luchino Visconti’s Death in Venice, you probably know the director's muse, Björn Andrésen. Even if you’re not familiar with Andrésen, he wa...
Few directors have made a significant impact in both cinema and the theater; Mike Nichols was one of them. Like Orson Welles before him, Nichols was a triple-t...
John and the Hole is a contemporary fable about out-of-control selfishness in a family. John is at the precarious age of puberty and needs to bond with his fam...
The 57th directorial credit in his vast filmography, Sion Sono's Prisoners of the Ghostland premieres at this year’s Sundance before his 56th, Red Post on Esch...
To argue there's been a Southland Tales renaissance over the past decade is hardly controversial. Widely derided at its 2006 Cannes premiere—famous out the gat...
If often considered a cult figure for roles in Manhunter, Last Action Hero, RoboCop 2, and The Monster Squad (among sundry similar), Tom Noonan is perhaps most...
"When encountering the societal and economic structures of everyday life, it’s not a rare dream for many to wonder what life may look like off the grid and out...
Frederick Wiseman’s latest film, the four-and-a-half-hour documentary on Boston’s City Hall, finds him embraced by the city he calls home (when not editing in ...
Diane Lane is, objectively, a national treasure. Since her first role in A Little Romance in 1979, the accomplished actress has played the ingenue, the ro...
