After a grueling experience with HBO's Big Little Lies, Andrea Arnold returns with her first film in five years. Positioned somewhere in the world of documenta...
In 1991, Oliver Stone re-opened America’s deepest wound with JFK, a rousing, star-studded, 189-minute account of New Orleans District Attorney Jim Garrison’s i...
Relatively speaking, Ryûsuke Hamaguchi is having a good 2021. Less than six months on from picking up the Silver Bear in Berlin for Wheel of Fortune and Fantas...
As Sheffield Doc Fest wrapped its first online edition, we spoke with one of the most promising filmmakers to emerge from that discipline in recent years. With...
There's a nice quote in Abel Ferrara's 2014 film Pasolini: "The meaning of this parable is precisely the relationship of an author to the form he creates....
If your typical conversation with a Sparks devotee is fannish evangelizing about why you must hear this album and that album is better than its non-existent re...
François Ozon wanted to see Summer of 85 on screen for thirty years. He expected someone to turn Aidan Chambers’s book Dance on My Grave into a movie when read...
Theo Anthony’s movies are meticulously researched but, in his opinion, if he’s done his job you won’t know it. His new project All Light, Everywhere is broken ...
Suzanne Desrocher was tending bar in Toronto when she noticed that the tall guy with white hair was becoming a regular. “I had spied him and thought he was som...
Few filmmakers enliven conversation more than Christian Petzold, whose approach to any question—be it transposing narrative and philosophical tenets between na...
