“My name is Max. My world is fire and blood.” So began George Miller’s Mad Max: Fury Road, a modern masterpiece that is as daring, audacious, and immaculately ...
With her forceful feature debut Playground, Laura Wandel takes an intimate, intense look at the intricacies of abuse at school from a child's point of view. Fo...
In 1984 John Lurie had three films at Cannes but couldn’t afford a plane ticket. For a few indelible moments in Wim Wender’s Paris, Texas, as a high-end pimp h...
Dominik Graf has been busy turning out termite art for decades. Finding a home on German TV shows like Tatort and Police Call 310, which air feature-length epi...
It was destiny for Coodie and Chike to make jeen-yuhs: A Kanye Trilogy. The duo directed Ye’s video for “Through the Wire,” but before that Coodie left his car...
The “star is born” performance is spoken of often but only truly comes around once in a blue moon. It’s not something you can predict, but when it happens you ...
With The Worst Person in the World, Joachim Trier completes his loose Oslo trilogy, a collection of films set in his childhood hometown focused, generally, on ...
Adapting Lizzy Goodman's novel of the same name, Will Lovelace and Dylan Southern’s Meet Me in the Bathroom captures the essence of late-90s, early-2000s New Y...
The Chad-born, France-based Mahamat-Saleh Haroun debuted his latest drama, Lingui, The Sacred Bonds, in competition at the Cannes Film Festival last summer. A ...
Directors Jordan Tetewsky and Joshua Pikovsky are two of the hardest-working young artists in the U.S. Each of their three short films from 2021––the Jewish an...
