It's been this summer's great pleasure watching Irma Vep. Maybe because the two years we've known about it have been marked by trepidation-tinged curiosity: Ol...
Peter Strickland wants to break taboos. The man behind films about giallo sound technicians (Berberian Sound Studio), BDSM-practicing lepidopterists (The Duke ...
After the success of 2020’s Shithouse, 25-year-old filmmaker Cooper Raiff had expectations for a follow-up. His sophomore feature, Cha Cha Real Smooth, finds t...
Good Luck To You, Leo Grande is coming out at the right time. Kind, contained, and funny, this film––written by Katy Brand and directed by Sophie Hyde––serves ...
Hailing from the small city of Columbus, Ohio, filmmakers Ori Segev and Noah Dixon have made their directorial debut with Poser, which premiered to much acclai...
Following The Better Angels and Age Out, A.J. Edwards' third feature, First Love, is both a tender tale of blossoming romance and a nuanced depiction of the pr...
Something that genuinely can be described as a passion project, the new stop-motion animated film, Mad God has been with legendary visual effects artist Phil T...
If Cristian Mungiu isn't the most prolific filmmaker to emerge from Romanian cinema's gilded age, he does tend to cause a stir. Cristi Puiu was first in the do...
For Mia Hansen-Løve, the 2022 Cannes Film Festival marked a few returns. A year on from premiering Bergman Island, Hansen-Løve screened One Fine Morning, the d...
It’s mid-May at the Cannes Film Festival and David Cronenberg is relaxing on the roof of the J.W. Marriot Hotel. Two days earlier, his latest film enjoyed a ra...
