In Alice Rohrwacher’s La Chimera, the Italian writer-director’s fourth narrative feature film, the past melds with the present. Art is something to be dug up, ...
After a year-and-a-half of copyright drama, The People’s Joker is finally here. The daring mixture of both tones and form will be sure to impress anyone, even ...
An expectation of finality has followed Ken Loach’s The Old Oak since its premiere at the 2023 Cannes Film Festival. “When you’re doing it, you’re doing it, yo...
If you were there, you remember. 2018 was the summer of MoviePass, a glorious period in cinema history where millions said "why not” and took a chance to see n...
Few films capture the trials and tribulations of twenty-something waywardness rooted in economic realities of today so eloquently and humorously as Ryan Martin...
In the recent decades of Hollywood exporting slapped-together "children's movies" to appease parents just looking to take their kids to anything that can pass ...
Across her five previous features, Austrian director Jessica Hausner (Amour Fou, Lourdes, Little Joe) has developed a distinctly unique tone––one which carries...
At the start of 2022, in the lead-up to the Oscars, Norwegian actress Renate Reinsve was in the spotlight. So was the story of how close she came to quitting a...
In Andrei Tarkovsky’s penultimate film Nostalghia (1983), which he co-wrote with Michelangelo Antonioni’s longtime collaborator Tonino Guerra, Russian writer A...
“One molecule could say yes to another molecule and life was born" –– talking with Deborah Stratman about Last Things (2023)
Deborah Stratman on Robi...
