Raven Jackson on Holding Hands, Long Hugs, and the Life Cycles of All Dirt Roads Taste of Salt

Raven Jackson’s All Dirt Roads Taste of Salt is a small miracle. A feature debut from the Tennessee-born writer and director, the A24-backed film acts as a med...

Rodrigo Moreno on His Genre-Hopping Fable The Delinquents and the Importance of Taking Storytelling Risks

The Delinquents is the sort of pleasurable movie that never feels rushed, masterfully carrying a viewer along a variety of detours over its three-plus hour run...

Justine Triet and Sandra Hüller on the Blowout Fight at the Center of Anatomy of a Fall

In Sibyl, Sandra Hüller appears at the midway point for a scene-stealing role as a director attempting (and failing) to prevent a love triangle between her two...

The Hearing of the Mystic: Godfrey Reggio on Technophobia, Anarchism, AI, and Grand Theft Auto Parodies

Godfrey Reggio––New Mexico’s irascible, irrepressible, eternally eccentric monk-turned-academic-turned-filmmaker whose wordless Philip Glass-scored 1982 master...

Radu Jude on How Steven Soderbergh Inspired the End of the World, Why TikTok is Cinema, and Judging Films with Kristen Stewart

Following his Golden Bear winner Bad Luck Banging or Loony Porn, Romanian writer-director Radu Jude wowed critics again with the satire Do Not Expect Too Much ...

Cinematographer Ed Lachman on Being Pablo Larraín’s “Dance Partner” for El Conde

Cinematographer Ed Lachman doesn’t often work with new directors, but for someone he considers “the most important filmmaker in South America,” he’ll make an e...

Terence Davies on Bringing Poetry to Life, Directing His New Short, and Planning His Next Feature

Special is the opportunity to speak with one of our great living filmmakers; doubly rare is a chance to do so as their latest project premieres on YouTube. Par...

Wayne Wang on His Diverse Filmography, Revisiting Old Work, and the Time Gangsters Visited His Set

We recently had the good fortune to speak with the talented, prolific filmmaker Wayne Wang about his long career, in particular his film Dim Sum: A Little Bit ...

Fremont Director Babak Jalali on Finding Humor in Editing and His Love of the Hangover Trilogy

To characters in Babak Jalali’s Fremont, memories both serve an artistic purpose and function as nuisance to be dealt with. Unresolved experiences while servin...

Scrapper Director Charlotte Regan on the Deep Emotions of Childhood and the Art of Observation

Winner of the Grand Jury Prize for World Cinema at this year's Sundance Film Festival, Charlotte Regan’s Scrapper delights within the first few minutes. Regan’...