Japan SocietyOne of Japan's great living directors, Shunji Iwai, is highlighted in "Love Letters," a four-film retrospective.
Anthology Film ArchivesHistoir...
It's not quite the first time we've written about a video game, but it's surely the first I've felt so compelled. So's my compulsion with Hideo Kojima, that ra...
Filmmakers are not their films, but Mia Hansen-Løve continues drawing the assumption. Her eighth feature, One Fine Morning, extends a series of semi-autobiogra...
At some point in the last few years of compiling The Film Stage’s Weekend Watch column, which seeks to highlight the best in New York’s repertory offerings, we...
By any metric is Annie Baker one of American's great living dramatists—it's just a bit harder to notice when her chosen field is theater. But grab any of Baker...
The push and pull of a Sight and Sound crown: if a film's greatness becomes received wisdom in ways previously never possible—where even an Alfred Hitchcock mo...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
The rarely screened Japanese director Yoshimitsu Morita is given ...
An entire generation of cinephiles knew Vertigo as the greatest film ever made. Maybe they didn't hold it in such high esteem; there's odds they didn't even li...
While the clock ticks down to another list unveiling today, Cahiers du cinéma's selection for the best of 2022 has arrived. Topping it off is Albert Serra's Pa...
Walter Murch discovered something. It's strange.
At 79, the man who innovated sound design—for whom the credit "Sound Designer" was basically invented—has p...