If you know the work of Sion Sono even a little bit, you won't be at all surprised to know his new feature (or one of several new features), The Whispering ...
Only one writer around here has managed to see Embrace of the Serpent, but such was their enthusiasm that the personal tallying -- #3, to be exact -- broke ...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
Rarely do I watch a contemporary film, even those I enjoy, without once thinking, "If only the shot-caller knew that they didn't have to make a cut," or at ...
Displaying a transparency that few filmmakers of his fame and / or caliber would even bother with, Steven Soderbergh has, for a couple of years, been keen o...
In-between our end-of-year recaps and beginning-of-year anticipatory lists, let's take a moment to look at classics once again heading our way in 2016. (Dep...
More than a year-and-a-half since news of its development first broke, Sylvain Chomet's new film The Thousand Miles is about to move forward. Reportedly a c...
No film's legend is quite as strong as The Day the Clown Cried's, to the point that minor bits and pieces caused a stir when they emerged two-and-a-half yea...
As if Radiohead's unused Bond theme wasn't sufficient, here's a second Christmas present: Quentin Tarantino and Paul Thomas Anderson sat down in the former'...
Say what you will about Michael Moore — as if it hasn’t already been said, and not at all from a single side of the two-party battle line — but the man knows ho...
