Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
When, only two days ago, we shared an extended, expansive podcast interview with Michael Mann, I made mention of his recent masterclass session at New York'...
It flew under the radar upon making appearances at various festivals, and it seems plenty likely to go unnoticed when finally released, small-scale, into th...
While I might find arguments about what does and does not constitute an "American" quality in cinema to be a bit tedious, I can't help but think Drew Morton...
One of our favorite scores from 2015 was Ennio Morricone's work on The Hateful Eight, a rich concoction that, as I said in my review, complements Quentin Ta...
There are very few Oscar players I want to hear from as much as Steven Spielberg, especially when he's campaigning for a picture as fine as Bridge of Spies ...
Michael Mann is hardly wanting for further attention, at least when it comes to almost any cinephilia-centered website. (When it comes to critics appreciati...
The Trip to Italy was, by most estimates, no inferior companion to 2011's generally beloved The Trip, and so it would only make sense that Michael Winterbot...
There are many reasons Cinema Guild is probably our favorite distributor, chief among them the sense that their slate consists almost entirely of titles tha...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
