It would require two big restorations and come down to a limited, roll-out release of three films in total, but we might have a fine summer of Chinese cinem...
Nowadays, being a great fan of Brian De Palma means getting burned time and again by projects that are announced, linger, and taper off, and so I can only r...
Rare is the occasion when distribution news is cause for celebration, but we liked Hong Sang-soo's Right Now, Wrong Then so much that its arrival in the U.S...
Following word that David Oyelowo and Gugu Mbatha-Raw will get into the Bad Robot business with God Particle, a new casting update has made this project all...
It is with a bit of embarrassment that I admit, amid Cannes' overwhelming shuffle and hullabaloo, I'd failed to notice a new film from Hirokazu Koreeda. I w...
The speed at which Steven Spielberg's currently operating is almost exhausting to even think about. In the less-than-nine-month gap between Bridge of Spies ...
What, exactly, gets Shia LaBeouf and Flying Lotus partnered on a documentary -- as executive producer and composer, respectively -- and even after watching ...
I don't agree with their claim that Barbara Loden's Wanda "incontestably ranks among the cinema’s greatest masterpieces" -- for one thing: I don't know if a...
Right before production kicks off, Martin McDonagh's highly anticipated Three Billboards Outside Ebbing, Missouri has improved a remarkably impressive ensem...
It's been almost a year since the premiere of Jeremy Saulnier's Blue Ruin follow-up Green Room, so consider it a testament to some sort of power that people...
