My screening series Amnesiascope returns to the Brooklyn Center for Theatre Research on July 15, 16, and 17 with Éric Rohmer's The Green Ray, co-presented by T...
Likely many reading this have already seen Ryusuke Hamaguchi's Evil Does Not Exist, which is more than a month into a theatrical run. It's only now that Eiko I...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaFellow Roxy programmer Charli XCX presents Project X, To Die For, and Velvet Gol...
Despite being seen exclusively on the festival circuit, Víctor Erice's first feature in 30 years, Close Your Eyes, ended up at #20 on our best-of-2023 list. On...
The first thing you learn about Tinto Brass' Caligula is that it's shocking, disgusting, immoral. If you learn anything else it's the specific description of t...
It’s of course essential that the actor-auteur relationship has some bedrock of trust, and the last descriptor one could apply to Julianne Nicholson is “amateu...
Woe betide Sofia Coppola skeptics, but a 58-second liquor ad suggests nice paycheck before manicured artistic intent. Still it's nice seeing the director reuni...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterA Catherine Breillat retrospective begins, featuring many restoration...
When, just last month, I talked to Richard Linklater about this prolific moment in his career, I had zero notion he'd been well into preparing a new-new film––...
As much a standard-bearer for behind-the-scenes docs as Hearts of Darkness––maybe there's something about watching famed auteurs lose their grip in the jungle–...
