Before he tackles massive dinosaurs in the Jurassic World sequel, director J.A. Bayona (The Orphanage) is handling a different type of beast with A Monster ...
Damien Chazelle is returning to the world of music following his break-out hit Whiplash. His Ryan Gosling and Emma Stone-led La La Land, which will world pr...
Netflix has been stepping up their distribution model to compete with other streaming services entering the original content game. One of their most recent ...
Considering Hollywood's constant output stream of narrative remakes, we're surprised they don't mine the documentary field more often. Today, it's been reve...
In the rungs of the cinematic ladder, there's a special place for absolute trashcore madness. A previously hard-to-find, iconic piece of the genre from cult...
For some, the name Bong Joon-ho is enough to garner interest, whether he is directing, producing, or scripting. He has handled the latter two in Sung-bo Shi...
Universal is in the process of creating a classic horror creatures franchise, following the interconnected tentpole blueprint laid out by Marvel Cinematic U...
Wes Anderson has garnered a strong following and undeniably unique back catalogue in the 20 years he's been making films. Since his debut, Bottle Rocket, he...
The late Ingmar Bergman brought an unprecedented force of philosophical clarity to cinema. From The Seventh Seal to Wild Strawberries to Persona, he crafted...
When not working on a new film, directors will generally, well, talk about their other films. The beauty of a retrospective discussion is that filmmakers te...
Mike Mazzanti is a content project manager at a digital marketing firm by day and a screenwriter at heart. A lover of the outré and the everyday, he is the Resident Genre Enthusiast at The Film Stage and is currently based out of Washington, D.C.
