Bellflower is a tough film to describe, which might exactly be its raison d'être. Nothing about it is expected. Take the premise, for example: Woodrow (writ...
Chicago is plagued with a violence epidemic, a corrosive force infecting its inhabitants. Murder rates grow while a generation of young people disappears. C...
The Future, Miranda July's follow-up to 2005's critically acclaimed, Me and You and Everyone We Know is aptly named. Much like the future, it turns out dim,...
I recently had the chance to sit down with David Robert Mitchell, the writer/director of The Myth of the American Sleepover, a fun little ode to growing up....
Paradoxes abound in Battlefield Heroes, a South Korean film showing at the New York Asian Film Festival. Even the title itself, an English slap-on as Americ...
A Boy and His Samurai (Chonmage Purin/ちょんまげぷりん) follows a tried-and-true comedic formula: take someone from the past, stick them in the future, and laugh al...
A mother chimp cradles her baby in her arms. The child, named by caretakers as Nim, has been selected for an experiment to see if a chimp could learn sign l...
As battle wages between the Decepticons and Autobots in Transformers: Dark of the Moon is nearly as important as the one raging around the movie between cri...
The idea of an "American Dream" is predicated on the idea that we all live in the same America. A Better Life, the new film from director Chris Weitz (About...
Ah, prom, that yearly event that forces boys into tuxedos, girls into gowns and parents into renting limos. It's a carefree, lighthearted final romp with yo...
