I’m not sure there’s a way to discuss Random, an adaptation of a one-women show, without discussing the random event at the core of the film. A film like th...
Interested in the end results of globalization, David Redmond and Ashley Sabin previously chronicled the end product of Mardi Gras party beads in Mardi Gras: ...
The good news about Bucky Larson: Born to Be a Star is that it’s not half bad! It’s not half good either, and perhaps I’m feeling a sense of good willing to...
Concluding a trilogy that goes places even Mike Rowe of Dirty Jobs could never go (not on a basic cable anyway), Michael Glawogger’s Whores' Glory is lucid,...
In the age of American Idol, My Super Sweet Sixteen and the Jersey Shore, Natural Born Killers, Oliver Stone’s 1994 film looks quaint. Fred (Joel Murray), t...
I’m not sure Werner Herzog, Jean-Luc Godard or even Errol Morris would agree the role of film is to expose the truth. The truth varies. The truth is not on ...
Social critique and satire is rarely charming, however Our Idiot Brother, directed by Jesse Peretz, is a relaxed tight-rope walk. Structurally the film is a...
Opening with long meditative, carefully composed tracking shots through tunnels, passages and man-made caves, Over Your Cities Grass Will Grow is a portrait w...
Joe Swanberg and Adam Wingard’s Autoerotic reaches new heights in depravity, especially in its closing moments. A skillful director with comedic chops such ...
Monte Carlo is a good-natured throwback to romantic comedies that took place in exotic locations for no reason other than for escapism. Here is a film that’s pu...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
