John Fink

[SXSW Review] Self Made

Self Made is the feature film debut of Gillian Wearing, an artist who emerged in the unofficial movement (yet branded by the international art world) YBA, or Yo...

[SXSW Review] A Year in Mooring

For ambiguous reasons a man doesn’t take to the sea, but exiles himself besides the sea. Josh Lucas plays an unnamed man, credited as “Young Mariner” in A Yea...

[SXSW Review] The Other F Word

Watching Generation X turn 40, facing the consequences of a drop-out lifestyle lies a contradiction. How to you keep your edge while putting food on the table...

[SXSW Review] Apart

Problematic is any new film technology as its use becomes more pervasive, limits and controls are found as its boundaries are pushed. The advent of the Red One,...

[SXSW Review] Natural Selection

Natural Selection opens with a bible quote the Christine O’Donnell/anti-masturbation folks of the world live by, Leviticus: “thou shall not spill thy seed on th...

[SXSW Review] How to Die in Oregon

How To Die in Oregon is an alarmingly personal documentary examining the ethics and politics of killing oneself through what some call “physician-assisted suici...

[SXSW Review] Dragonslayer

The scariest thing about Dragonslayer is that in most places in this country you need a permit to get a dog or cat, but any idiot can have a child. Dragonslay...

John Fink

John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.