A year since Do Not Expect Too Much from the End of the World amused us so, Radu Jude has now unveiled two new experimental found-footage films in Locarno. And...
Grace Pudel (the voice of Succession’s Sarah Snook) is wishing goodbye to her elderly friend Pinky (Jacki Weaver), who’s currently prone on her deathbed. Once ...
The tragic predicament of the Palestinians and what they’re now being subjected to begs to be analyzed and dissected, with various areas of dubious historical ...
You’d expect the pivotal music cue in Philippe Lesage’s Who by Fire to be its namesake by Leonard Cohen, a beautiful and plaintive prayer of a song. But instea...
As inevitable as a new day comes another François Ozon film––accomplishing the deft task of feeling equally breezy and clever, but never clearing an overall lo...
I’ve always defended Michel Franco, not that he requires further support from numerous areas of the industry. But he’s been something of a critical punching ba...
Herman Wouk’s celebrated novel The Caine Mutiny and play The Caine Mutiny Court-Martial couldn’t even be called “peak boomer”; it’s pre-boomer. And having been...
Tempting though it is to pen this review in the voice and style of Mort Rifkin, the most indelible Woody Allen character in years, the embattled New York-born ...
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying to see the initial reaction to the French filmmaker’s tenth feature, after ...
Bradley Cooper is undoubtedly feeling the Bern. There’s something very endearing about Cooper’s star persona, not least the fact that, of all modern Hollywood ...
David Katz has been a freelance film journalist for over a decade. Born in Columbus, Ohio and raised in London, he primarily writes for the trade publication Cineuropa, but also loves popping up at The Film Stage from time to time.
