Daniel Eagan

Louis Koo on Breaking New Ground in Hong Kong Cinema and the Psychological Honesty of His Performances

A Hong Kong superstar, Louis Koo has appeared in everything from thrillers and sci-fi blockbusters to romances and comedies. This year he received the Extraord...

NYAFF Review: Killing Romance Gives a Witty, Whirlwind Tour of Toxic Culture

Mixing genres as easily as aspect ratios, Killing Romance gives a whirlwind tour of the largely toxic side of Korean culture. Opening this year's New York Asia...

Ryûsuke Hamaguchi on Passion, Learning from Kiyoshi Kurosawa, and Rethinking How to Make Films

Friends meet at a restaurant for a birthday dinner in the opening scenes of Ryûsuke Hamaguchi's Passion. Everyone loves the wrong person. Tomoya (Ryuta Okamoto...

Cinematographer José Luis Alcaine on Parallel Mothers and Capturing Pedro Almodóvar’s Emotional Vision

Two strangers' lives intertwine in Parallel Mothers, the latest film from Pedro Almodóvar. Janis (Penélope Cruz) and Ana (Milena Smit) are single mothers who g...

Cinematographer Alice Brooks on tick, tick…BOOM!, Shooting Musical Numbers, and Making Jonathan Larson’s Dreams a Reality

Marking Lin-Manuel Miranda's screen directing debut, tick, tick...BOOM! follows composer Jonathan Larson as he struggles to stage a musical show despite the ov...

The Power of the Dog Cinematographer Ari Wegner on Subverting the Western and Jane Campion’s Search for Authenticity

Early during Camerimage, everyone's still reeling from jet lag. By the time Ari Wegner sits down for an interview by a reception desk in the festival's main ha...

Manfred Kirchheimer on Restoring the Lost New York of Free Time

Between 1957 and 1960, Manfred Kirchheimer and his partner Walter Hess shot thousands of feet of 16mm film for a planned documentary about New York City. For y...

The History Behind Jazz on a Summer’s Day, a Landmark Concert Film

The first feature-length concert film with live sound, Jazz on a Summer's Day paved the way for movies like Monterey Pop and Woodstock. Photographing the 1958 ...

Kôji Fukada on A Girl Missing, Repeat Viewings, and Betraying the Audience for Their Benefit

Nothing is as it seems in A Girl Missing, the latest feature from writer and director Kôji Fukada. Mariko Tsutsui stars as Ichiko, a visiting nurse who becomes...

Norris Wong on Her Debut Feature My Prince Edward and the State of Hong Kong

Writer and director Norris Wong set her debut feature My Prince Edward in a crowded shopping district of Hong Kong, specifically the Golden Plaza mall. We’re i...

News

MUBI’s October 2023 Lineup Features Passages, Tsai Ming-liang, Luchino Visconti & More

The Criterion Channel’s October Lineup Includes ’90s Horror, Techno Thrillers, James Gray & More

Martin Scorsese Speculates on Retirement: “A Couple More, One More Maybe, and That’s It, Okay?”

Trailers

The Curse Teaser: Nathan Fielder, Emma Stone & Benny Safdie Want to Fix Your Home

May December Trailer: Natalie Portman Digs into Julianne Moore’s Controversial Past in Todd Haynes Drama

Jessie Buckley & Riz Ahmed Question Their Love in First Trailer for Christos Nikou’s Fingernails

Reviews

NYFF Review: Andrew Haigh’s All of Us Strangers is a Heartbreaking Ghost Story

NYFF Review: Mambar Pierrette is an Ode to Working-Class Mothers

NYFF Review: In The Pigeon Tunnel, Errol Morris Pays Extensive Homage to Spy Novelist John le Carré

Features

NYC Weekend Watch: Summer Hours, Klute, Gregg Araki & More

New to Streaming: Four Shorts by Wes Anderson, Flora and Son, Dreamin’ Wild, and More

8 Undistributed Films to See at the 61st New York Film Festival

Interviews

Cinematographer Ed Lachman on Being Pablo Larraín’s “Dance Partner” for El Conde

Terence Davies on Bringing Poetry to Life, Directing His New Short, and Planning His Next Feature

Wayne Wang on His Diverse Filmography, Revisiting Old Work, and the Time Gangsters Visited His Set

Podcasts

The B-Side – Michael Keaton: Part II (with Cory Everett)

Watch: Cinephile Summer Season Finale Features The Film Stage vs. Bright Wall/Dark Room

The B-Side – In Conversation with Dustin Guy Defa

Daniel Eagan

Louis Koo on Breaking New Ground in Hong Kong Cinema and the Psychological Honesty of His Performances

NYAFF Review: Killing Romance Gives a Witty, Whirlwind Tour of Toxic Culture

Ryûsuke Hamaguchi on Passion, Learning from Kiyoshi Kurosawa, and Rethinking How to Make Films

Cinematographer José Luis Alcaine on Parallel Mothers and Capturing Pedro Almodóvar’s Emotional Vision

Cinematographer Alice Brooks on tick, tick…BOOM!, Shooting Musical Numbers, and Making Jonathan Larson’s Dreams a Reality

The Power of the Dog Cinematographer Ari Wegner on Subverting the Western and Jane Campion’s Search for Authenticity

Manfred Kirchheimer on Restoring the Lost New York of Free Time

The History Behind Jazz on a Summer’s Day, a Landmark Concert Film

Kôji Fukada on A Girl Missing, Repeat Viewings, and Betraying the Audience for Their Benefit

Norris Wong on Her Debut Feature My Prince Edward and the State of Hong Kong

Daniel Eagan