Michael Mayer's passionate film got unnoticed by nearly everybody - and it's a crying shame. Based on a novel by Michael Cunningham (who also wrote the scre...
As the recently lukewarm/disappointing The Taking of Pelham 123 fizzles further and further into the box office night, Fox continues to struggle to find a s...
In the run-and-gun world of film P-and-A (Print and Advertising) selling a movie continues to become more and more viral, i.e. Web sites and movie blog back...
The biggest film festival in the world has ended, and the winner of the Palme d'Or, Michael Haneke's The White Ribbon, is a visually overwrought, underwhelm...
Coming out of the Out-of-Competition Category at the tail end of Cannes is Terry Gilliam's latest creative effort, an elaborate original idea with an even m...
Months before its slated August release, Quentin Tarantino and company (that particular company being Weinstein) screened in Cannes competition. And the ear...
As usual during this hectic time in Southern France, flicks be selling and selling. The market is packed with movies, good and bad, big and small. George Ga...
The streets are so thick with people it wouldn't be absurd to think that this whole town will crumble under the weight of the festival, which is now in full...
This is Dan Mecca reporting from Cannes, overwhelmed and loving it. The sheer volume of films on display here is inexplicable. From the market to the festiv...
Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.
