For the past decade-and-a-half, cinematographer Sean Price Williams has been a staple of the New York indie-film scene, lensing features for (naming just a han...
The Delinquents is the sort of pleasurable movie that never feels rushed, masterfully carrying a viewer along a variety of detours over its three-plus hour run...
In Sibyl, Sandra Hüller appears at the midway point for a scene-stealing role as a director attempting (and failing) to prevent a love triangle between her two...
Cinematographer Ed Lachman doesn’t often work with new directors, but for someone he considers “the most important filmmaker in South America,” he’ll make an e...
It’s 2023 and the early 2000s are having a moment: blog rock is being celebrated, nü metal is back, and Emerald Fennell––perhaps recognizing this vibe shift––s...
Using photographer Danny Lyon’s iconic The Bikeriders’ imagery as a jumping-off point, Jeff Nichols’ latest feature imagines a fictionalized Chicago motorcycle...
To characters in Babak Jalali’s Fremont, memories both serve an artistic purpose and function as nuisance to be dealt with. Unresolved experiences while servin...
There’s a comfort witnessing characters in a Nicole Holofcener film discuss banal, everyday topics—ones largely absent in cinema. In her latest, You Hurt My Fe...
With his feature debut Cam, Daniel Goldhaber considered the state of online sex work within an entertaining horror film that follows a classic doubling narrati...
Showing Up contains many of the hallmarks of a classic Kelly Reichardt picture: a Pacific Northwest setting, a Jonathan Raymond co-writing credit, Christopher ...
