Note: This review was originally published as part of our 2025 NYFF coverage. Scarlet opens in theaters on February 6.
Across two decades of crafting animat...
The shortest month of the year has a handful of cinematic highlights, including numerous films that qualified for awards last year but are now getting official...
Gold is such an apt metaphor for greed. It’s shiny, it’s heavy, it’s superficial, and it’s obtained through someone’s hard labor. That labor is carried on ...
Rock Springs works within a familiar genre framework––a family moves to a home in a town filled with strange people and is promptly haunted by spirits––to prob...
After earning some of the finest acclaim of his career for May December, Todd Haynes was all set to embark on a 1930s, Los Angeles-set noir romance back in the...
It's now been over a year since the great David Lynch departed this Earth, and with his passing he left a number of unrealized projects. The major one was Unre...
An exacting, well-articulated portrait of a Kosovan family in crisis as they attempt to make ends meet, Shame and Money confronts anxieties in a life drown...
There’s always been something sexy about the image of the cowboy, which has been praised as a portrait of good, old-fashioned masculinity as much as it’s been ...
A Hong Sangsoo Berlinale premiere is no surprising development, but the first details on his 34th feature, The Day She Returns, are particularly exciting. Not ...
What exactly is artificial intelligence? Where does it come from? And precisely how powerful is (or will) it become? Valerie Veatch's documentary Ghost in the ...
