Deep in the morass of unmade David Lynch films––among the better-known likes Ronnie Rocket, One Saliva Bubble, Antelope Don't Run No More, and Dune Messiah––is...
Named for the belittling label the older generation of Nigeria has given for its aimless youth, Alain Kassanda's Coconut Head Generation refutes this suppositi...
Winner of the directing award at last year's Sundance Film Festival, Marija Kavtaradze's second feature Slow is a unique, intimate relationship tale, following...
While it was fascinating to see the results of the 2022 Sight & Sound poll, we're just as curious to see what lies outside the established canon. As part o...
Like any summer movie slate, the lineup is chock full of sequels and franchise additions, but one of the few that may bring something a bit fresh is the final ...
After spending the majority of the 2010s working on his sublime sci-fi trilogy World of Tomorrow, animation genius Don Hertzfeldt hinted he desired to work on ...
Léa Seydoux tells me "it may be nicer to have eye contact." Though I was informed our interview would be audio-only––no complaints; time with the most exciting...
This month, Metrograph is running “Novel Encounters: The Films of Lee Chang-dong,” a retrospective of the filmmaker’s career to date. The program includes four...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Anthology Film Archives"Essential Cinema" brings films by Mekas' Walden and Journey to Lith...
I can't say it was difficult finding nine posters to talk about this month––most new April releases were given the bad Photoshop treatment. Some, like ...
