Second update: Indiewire reports Phoenix has left Haynes' film five days before production was expected to begin, leaving the project in an uncertain state.
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In what feels like unprecedented territory, Eduardo Williams has followed his 2016 breakout experimental film The Human Surge––not with a sequel, but thre...
A seemingly blissful union rapidly crumbles in Valérie Donzelli’s Just the Two of Us, a domestic abuse-drama presented as a harrowing-if-simplified psychologic...
Breaking through the rare echelon of not just solid family entertainment but actually among some of the best films of their respective years, the Paddington fr...
Writer-director Nicole Riegel is following up her 2020 directorial debut coming-of-age drama Holler with another story of a young woman finding her way in the ...
While Magazine Dreams will likely never get a release, thankfully Haley Bennett's other 2023 festival premiere is arriving next month. A new trailer has now be...
There’s an argument to be made that the single image which best exemplifies pure cinematic wonder is the Archers logo. The introductory title reel belonged to ...
As we approach 2024’s halfway point it’s time to take a temperature of the finest cinema thus far: we’ve rounded up our favorites from the first six months of ...
Crafting the best American movie of the year thus far with I Saw the TV Glow, Jane Schoenbrun has enjoyed success form their mesmerizing odyssey of identity an...
We're delighted to exclusively announce that Grasshopper Film has acquired the digital and non-theatrical North American distribution rights to I’m “George Luc...