Recently featured on our fall movie preview, Memoir of a Snail marks the long-awaited return to feature filmmaking from Adam Elliot, director of 2009's Mary &a...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Welcome to a new episode from The Film Stage! It’s not The Film Stage Show. It’s not The B-Side! It’s something else! It’s a Box Office Bonanza from The Film S...
After the detour of El Conde, Pablo Larraín returns with a study of opera singer Maria Callas, thus closing out a triptych of films on glamorous women, gilded ...
Whatever pedigree ought to be established as the sole film directed by Marlon Brando, One-Eyed Jacks spent so much time in obscure status and degraded states t...
Zia Anger's name has not broken into the mainstream; it's instead been a kind of totem for underground film artistry, to whatever extent that even exists anymo...
Unless you're a major studio or willing to pay for a rent-spiked ski lodge––and even then––few festivals ring more exclusive than Telluride, which has the dist...
What if Jacques Tati made a film noir? The Falling Star offers a commendable answer to this question, though the final result does not quite live up to such ex...
With the summer movie season now quietly winding down, fall is upon us. As we do each year, after highlighting the best films offered thus far, we've set ...
Premiering earlier this year at Sundance Film Festival, Union is the latest film from Brett Story (The Prison in Twelve Landscapes, The Hottest August) and Ste...
