Bringing a pristine level of craft with their portraits of subcultures in The Last Race and The Truffle Hunters, Gregory Kershaw and Michael Dweck turned their...
The Line is unpleasant. But then it should be, shouldn't it? Written by Ethan Berger and Alex Russek and directed by Berger in his feature debut, this is a fil...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMFilms by Warren Beatty, Mike Judge, and more play in Facing the Future; the restoration ...
Following their singular take on the Western genre with Two Plains and a Fancy, filmmakers Lev Kalman & Whitney Horn returned to the festival circuit earli...
Following up their fascinating 2019 feature Space Dogs, which explored street dogs in Russia while telling a larger story about the first living being to be se...
It seems appropriate to read about some of our greatest filmmakers during the fall. (Festival season! Prestige pics! Megalopolis mania!) Plus, a guide to cinem...
Sean Baker has been making films for nearly 25 years. With Anora, his Palme d’Or winner following the journey of a stripper from Brooklyn, he’s ascended furthe...
With Janus possessing the much-needed restorations, Catherine Breillat is getting her biggest-ever spotlight in November's Criterion Channel series spanning 19...
After many years of radio silence on Elaine May's Crackpot, a comedy starring Dakota Johnson that was planned to be the 92-year-old filmmaker's fifth and final...
