It’s tempting to want to give too much credit to Alex Proyas’ Gods of Egypt for sheer invention. Not since last year’s polarizing belly flop, Jupiter Ascending,...
John Hillcoat is going to make a great film someday. Each of his last three films (Lawless, The Road, The Proposition) have skirted this quality to various deg...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
In all of Hollywood, there are perhaps no directors who have a greater knack for finding the perfect actors in every scene, no matter how small, than Joel a...
After hitting a variety of major film festivals over the last six months or so (including Toronto, Sundance, New York, and Berlin), Maggie's Plan, the lates...
If there's a single director in Hollywood that probably doesn't need any more video essays dedicated to his work, it's Christopher Nolan. Nonetheless, when ...
He's created one of the scariest films of all-time (The Exorcist), did the impossible by proving a remake can work (Sorcerer), put one of the greatest car c...
Finally arriving in theaters next week, Terrence Malick's Knight of Cups is a mesmerizing search for salvation that may never come. However, it's looking more a...
Grasshopper Films are moving quickly. Within a week of their unveiling, the new distributor have released a trailer and poster for their first release -- no...
